Showing posts with label Guitar pedal. Show all posts
Showing posts with label Guitar pedal. Show all posts

Wednesday, June 6, 2007

Behringer guitar amp with good sound

http://images.misupply.com/products/original/Behringer/120488O.jpg

Yamaha black classic guitar

http://www.stevesmusiccenter.com/DeanTraditionSCBKBig.jpg

Tuesday, June 5, 2007

Ultra-Flexible Modeling Amp/Multi-Effects Processor with Integrated Expression Pedal

X V-AMP

The X V-AMP is a floor-based unit not only featuring the best V-AMP models of celebrated guitar amplifiers and speakers, but also providing simulations of the most desirable guitar effects combined with a multi-mode expression pedal.

Virtual Guitar Amplifier with Tube Simulation and 24-Bit Effects

V-AMP 2

V-AMP 2: The next step in virtual amplification.
Like our already legendary original V-AMP, the V-AMP 2 is based on state-of-the-art amp modeling technology, allowing you to achieve a wide variety of realistic amp sounds without the hassle of miking an amp. To that end, the V-AMP 2 now features twice as many amp models for 32 total, plus our 15 original speaker simulations, which can be selected and activated independently of the amp models. Read on: you’ll see why the V-AMP 2 is suited for much more than just home recording or practice applications.

BBE Boosta Grande Clean Boost Effect Pedal elivers up to 20dB of clean gain without changing the original signal's sound.

Top
The Boosta Grande delivers up to 20dB of clean gain without changing the original signal's sound. Use it to drive your preamp tubes to the max, or as a line buffer/driver if you're experiencing degradation from other effects in the chain.

The Boosta Grande is built to last, and features hardwire bypass, single op-amp design, LED operation indicator, non-slip rubber bottom, and an easy-access 9V battery compartment. Includes AC power supply!

Carlsbro Wah Wah Guitar Pedal: Rugged Die-Cast Casting

Carlsbro Wah Wah Guitar Pedal
Vintage Wah Tone

Classic Chrome Finish

Use For Bass Or Lead Guitar

Hardwired True Bypass

Low Noise Operation


JHS WP-101 Wah Wah Pedal which provides the traditional ‘wah wah’ sound.

JHS WP-101 Wah Wah Pedal
A robustly made pedal which provides the traditional ‘wah wah’ sound. Input and output sockets are located at the front of the pedal, with a power supply socket. This model incorporates an adjustable ‘colour’ slider control with settings from min. to max. which modulates the frequency breadth of the effect. Powered by a 9V battery or external DC power supply – not included.

JHS VP-201 Guitar Volume Pedal

JHS VP-201 Guitar Volume Pedal
Offering full stereo ability on both input and output channels, the passive JHS VP201 Stereo Volume Pedal also features an easily-accessed, front mounted master output level control. This sits above a pair of signal jack sockets. Suitable for guitars and keyboards in mono or stereo modes, the VP201 can also drive two separate amps.

Danelectro PB & J 'Peanut Butter And Jelly Delay Guitar Pedal

Danelectro PB & J 'Peanut Butter And Jelly Delay Guitar Pedal
One of the best delay pedals ever - & it won't break your wallet! Full 1 second delay. Second footswitch lets you choose long or short delay time. Use 2 different delay settings in performance. All with the warmth of a tape echo.

Marshall - RG1 Regenerator Chorus/Flange/Phase Pedal


The Regenerator is a chorus, a flanger, and a phaser pedal all in one sturdy shell. It's a stereo modulation pedal providing a diverse range of six different modes for you to explore, sure in the knowledge the the tone-preserving passive bypass is just a footswitch away. From the sweeping detuned tones of the vintage chorus to a phaser that swells with energy, listen as the Regenerator entwines itself around your sound. With full control over the speed, depth, and regeneration, it's every modulation pedal you'll ever need.

Monday, June 4, 2007

Ibanez FL9 analog flanger. It sounds nice, but it’s fairly polite and clean, and so far hasn’t grabbed me by the throat and yelled “Keep me!” However

Next is an Ibanez FL9 analog flanger. It sounds nice, but it’s fairly polite and clean, and so far hasn’t grabbed me by the throat and yelled “Keep me!” However, it’s important to remember that an effect that sounds very distinctive and noticeable and cool will also usually grow old very very fast when you use it too much, and in some cases if the effect is dramatic enough, too much can equal “twice”. So we’ll see how this one fares through the recording process, how much it gets used, and what it gets used for before deciding whether or not to sell it on. Also important, just like using a synth, it can sometimes take a while to find an effect’s sweet spot. But, sometimes you never find a spot you like within its settings, so eventually you trade it for something else. The most important thing the FL9 will need to do to stay around is find some way to distinguish itself from the digital flanger models we have in the Kurzweil KSP8 and some of our plugins, because currently my impression is that it’s lacking the distinctive character necessary for me to go out of my way to use it.

Analogman Chorus, Ibanez FL9 Flanger

Two new toys, err, tools arrived today… an Analogman chorus and an Ibanez flanger. Like the Roland PH-1R I mentioned in an earlier entry, they are analog stompbox effects intended for use with a guitar. Unlike the PH-1R, both of these are still in production and were bought new.

T-Rex Effects, Alberta Overdrive Pedal, Color "Blue", Item # GETR01


T-Rex Effects, Alberta Overdrive Pedal, Color "Blue", Alberta is quite unique; she makes your guitar sing. She provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps. Alberta delivers a creamy, yet crunchy sound with a smooth mid-range boost, reminiscent of the old Ibanez TS-808. Albertas sweet tube-like harmonics and wide and natural sounding tonal spectrum faithfully reproduces all the subtle nuances of your playing dynamics. A MUST HEAR! Item # GETR01

T-Rex Beta Vibe Guitar Pedal

T-Rex Beta Vibe Guitar Pedal

It accurately emulates the unique hypnotizing Doppler effect of a real rotating speaker cabinet, recreating the late 60's/early 70's psychedelic swirl that many players find elusive - like that dripping Phase-Chorused tone that made Jimi�s background sounds so epic. The unit includes a "Fast/Slow" switch which gradually speeds up or slows down the speed like a real Leslie unit. A midi socket is included for external control. All in one AC powered pedal!

Siberian-made guitar pedals, with a unique look, and REALLY clean sound.

Arion Stereo Phaser Guitar Pedal: 15 bends controlled with the 15 toggle switches on the cigar box.

Teh pHaS0rrr!!1

T-Rex Comp Nova Compressor Guitar Pedal

T-Rex Comp Nova Compressor Guitar Pedal

The Comp Nova is T-Rex's answer for players seeking a 9v powered compressor unit with clarity and dynamics (even at maximum compression levels) that will not color their sound.

The T-Rex Comp Nova is an analog pedal that uses a MOSFET transistor. It does not feature true bypass. However, it employs an on/off switch that is designed to bypass the sound without disturbance so that the pedal will not be heard when it is switched off.

HEAVY DUTY FLIGHT CASE: Heavy Duty Flight cases are made from an ultra tough ABS and plywood laminate and an aluminum framework.

Stompin-Ground pedalboard guitar pedal board effects pedalboards case and boards Heavy Duty Flight cases are made from an ultra tough ABS and plywood laminate and an aluminum framework. These heavy duty ATA style cases are especially suited for common carrier transit under more severe conditions and provide the maximum protection. These premium cases are at the top of their class.
  • .040" ABS laminated to plywood panel body.
  • Dust proof, extruded aluminum double interlocking tongue and groove valance
  • Extruded aluminum double angle edge frame
  • Stamped, nickel-plated steel corner protection
  • Spring-loaded handles
  • Recessed twist latches
  • Continuous piano type hinge
  • Two nickel-plated steel collapsible lid stays
  • Shock absorbing foam interior. The thick and deeply convoluted foam in the lids of the cases provide room for devices up to 4" tall.
  • Exterior, Approximate size: L x W are 3-1/2" greater than pedalboard. 6-1/2" height.
  • Optional Accessory Compartment with Recessed Handles, adds 5" to the height.
  • Optional Key lock Recessed Latches
  • Optional Tilt-Wheels and Extension Handle
  • Optional custom colors: Black, Navy Blue, Green, Red, Yellow, Textured Aluminum. Gray is the standard color.
Source: www.stompin-ground.com

DURA-LIGHT CASE: are made of tough, .098" ABS plastic (superior to HDPE and other plastics)

Stompin-Ground pedalboard guitar pedal board effects pedalboards case and boards

Dura-Light touring cases are made of tough, .098" ABS plastic (superior to HDPE and other plastics) thermoformed to shape without wood. While extremely rugged and durable, they are much lighter in weight. Dura-Light cases are especially suited for hand carrying and transit under most normal conditions. They feature many of the same hardware components as the Heavy Duty cases described below.

  • High impact .098" ABS thermoformed body (Acrylonitrile Butadiene Styrene).
  • Dust proof, extruded aluminum double interlocking tongue and groove valance.
  • Stamped, nickel-plated steel corner protection.
  • Spring-loaded handles.
  • Nickel-plated locking steel draw latches.
  • Continuous piano type hinge.
  • Two nickel-plated steel collapsible lid stays.
  • Shock absorbing foam interior. The thick and deeply convoluted foam in the lids of the cases provide room for devices up to 4" tall.
  • Exterior - Approximate size: L x W are 3" greater than pedalboard. 6-1/4" height.
  • Optional Accessory Compartment with Recessed Handles, adds 5" to the height.
  • Optional Recessed Latches.
  • Optional Key lock Recessed Latches.
  • Optional Tilt-Wheels and Extension Handle.
  • Color: Gray or Custom Black.

Sunday, June 3, 2007

Although the wah-wah effect was initially developed by trumpet players using mutes in the early days of jazz, it has became known as a guitar effect e


Although the wah-wah effect was initially developed by trumpet players using mutes in the early days of jazz, it has became known as a guitar effect ever since Jimi Hendrix popularized Vox Cry-baby pedal in the late 60's, see Figure 1.