Fender Blues Junior Guitar Amp

Trying to find that 1950's & early 60's sound in an amp manufactured from 1970 to the present has been nearly impossible, unless you found a pre- 1970 tube amp in good shape and had an amp guru rework the electronics with new speaker

Fender Hot Rod Deluxe 112 Guitar Amplifier

This is a great sounding amp for just about any type of music.

Behringer guitar amp with good sound

Ultra-Flexible Modeling Amp/Multi-Effects Processor with Integrated Expression Pedal

The X V-AMP is a floor-based unit not only featuring the best V-AMP models of celebrated guitar amplifiers and speakers, but also providing simulations of the most desirable guitar effects combined with a multi-mode expression pedal.

Virtual Guitar Amplifier with Tube Simulation and 24-Bit Effects

V-AMP 2: The next step in virtual amplification.

Like our already legendary original V-AMP, the V-AMP 2 is based on state-of-the-art amp modeling technology, allowing you to achieve a wide variety of realistic amp sounds without the hassle of miking an amp. To that end, the V-AMP 2 now features twice as many amp models for 32 total, plus our 15 original speaker simulations, which can be selected and activated independently of the amp models. Read on: you’ll see why the V-AMP 2 is suited for much more than just home recording or practice applications.

Carlsbro Wah Wah Guitar Pedal: Rugged Die-Cast Casting

Vintage Wah Tone

Classic Chrome Finish

Use For Bass Or Lead Guitar

Hardwired True Bypass

Low Noise Operation

JHS WP-101 Wah Wah Pedal which provides the traditional ‘wah wah’ sound.

A robustly made pedal which provides the traditional ‘wah wah’ sound. Input and output sockets are located at the front of the pedal, with a power supply socket. This model incorporates an adjustable ‘colour’ slider control with settings from min. to max. which modulates the frequency breadth of the effect. Powered by a 9V battery or external DC power supply – not included.

Ibanez FL9 analog flanger. It sounds nice, but it’s fairly polite and clean, and so far hasn’t grabbed me by the throat and yelled “Keep me!” However

Next is an Ibanez FL9 analog flanger. It sounds nice, but it’s fairly polite and clean, and so far hasn’t grabbed me by the throat and yelled “Keep me!” However, it’s important to remember that an effect that sounds very distinctive and noticeable and cool will also usually grow old very very fast when you use it too much, and in some cases if the effect is dramatic enough, too much can equal “twice”. So we’ll see how this one fares through the recording process, how much it gets used, and what it gets used for before deciding whether or not to sell it on. Also important, just like using a synth, it can sometimes take a while to find an effect’s sweet spot. But, sometimes you never find a spot you like within its settings, so eventually you trade it for something else. The most important thing the FL9 will need to do to stay around is find some way to distinguish itself from the digital flanger models we have in the Kurzweil KSP8 and some of our plugins, because currently my impression is that it’s lacking the distinctive character necessary for me to go out of my way to use it.

Analogman Chorus, Ibanez FL9 Flanger

Two new toys, err, tools arrived today… an Analogman chorus and an Ibanez flanger. Like the Roland PH-1R I mentioned in an earlier entry, they are analog stompbox effects intended for use with a guitar. Unlike the PH-1R, both of these are still in production and were bought new.

T-Rex Effects, Alberta Overdrive Pedal, Color "Blue", Item # GETR01

T-Rex Effects, Alberta Overdrive Pedal, Color "Blue", Alberta is quite unique; she makes your guitar sing. She provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps. Alberta delivers a creamy, yet crunchy sound with a smooth mid-range boost, reminiscent of the old Ibanez TS-808. Albertas sweet tube-like harmonics and wide and natural sounding tonal spectrum faithfully reproduces all the subtle nuances of your playing dynamics. A MUST HEAR! Item # GETR01

Siberian-made guitar pedals, with a unique look, and REALLY clean sound.

Arion Stereo Phaser Guitar Pedal: 15 bends controlled with the 15 toggle switches on the cigar box.

Although the wah-wah effect was initially developed by trumpet players using mutes in the early days of jazz, it has became known as a guitar effect e

Although the wah-wah effect was initially developed by trumpet players using mutes in the early days of jazz, it has became known as a guitar effect ever since Jimi Hendrix popularized Vox Cry-baby pedal in the late 60's, see Figure 1.

TC Electronic Announces Vintage Tube Primer Guitar Pedal

TC Electronic continues their Vintage range of guitar effects with the new Tube Primer overdrive/boost pedal. The Vintage Tube Primer delivers a wide range of warm authentic overdrive flavors, and features an adjustable clean boost control with up to 20 dB of gain. This gain can also be used as a regular boost without the overdrive circuit engaged. The additional direct level mix function allows the user to blend the overdriven signal with the direct signal coming from the guitar, and opens the doors to a comprehensive variety of rich, compound tones. On top of that, the Tube Primer features a "body" switch for an even more full-bodied distortion. Vintage Tube Primer will ship in May 2006 at EUR 279 retail ex. VAT.

PXE-1 - Line 6 POD V.2.0 midi controller

Project-X is dedicated to bring you quality VST plugins for the PC platform. Although there are a multitude of plugins available,
   their usage is often times not clear at first glance. For instance, how many times have you sat at your Workstation, writing a song maybe,
   or playing with your favourite plugin, just to ask yourself "what does this button do again?". Usually, that is the moment where you spend
   more time reading manuals than being creative with your work.
   This is a reason why we like to focus on high detailed quality GUI designs and easy to understand Plugin interfaces to make your workflow as easy,
   intuitive and efficient as possible.

PGM TE Mahogany - P90

The Mach VII Jet Double was modeled after the MACH VII guitar produced in 1985

Fender G-DEC 30 Guitar Digital Entertainment Center

A bigger, more-powerful version of the G-DEC with more presets and features! The Fender G-DEC 30 is an updated version of the top-selling, award-winning G-DEC that gives guitarists even more of what they loved about the original with upgrades based on customer feedback from around the world. As with its predecessor, the G-DEC 30 is a guitar amplifier with digital amp modeling, effects, backing loops, phrase sampler, and tuner, all in one great-sounding package. A total of 76 Performance Preset (38 performance and 38 teacher) includes all of the originals plus numerous additional loops. Each Performance Preset includes drum beats, bass lines, and other instruments that provide a musical backing track that is fully customizable. The added Composition Mode also allows individual measures to be combined by the user into whole songs.

Home » Guitar » Amps » Combos » Solid State / Modeling » 25R Frontman Series II Guitar Combo

Value-priced and great for jamming or private practice. The Fender 25R Frontman Series II Guitar Combo has been done up with Blackface appointments for traditional Fender styling. With 25W and a 10" speaker, it's fully capable of handling smaller gigs. It has normal and drive channels, footswitchable reverb (with optional switch), headphone jack for silent practice, and CD input for play-along. With its silver grille cloth, skirted knobs, metal corners, and gem light, its appearance is consistent with all of its Fender big brothers.

Fender Princeton Recording Amp

A classic dream dream machine enhanced for the studio. The Fender Princeton Reverb Amp of the 1960s, though small, light and moderately powerful, produced giant tube tone. In the '70s and beyond, it earned a rep as the quintessential studio recording amp, and original Princeton Reverb amps are highly sought after in today's vintage market as collectibles and as a wise choice for creating great tube tone in a small space.

Fender's new Princeton Recording Amp offers all of the great tone and dynamics of the original, plus several modern studio-friendly features. Its all-tube preamp, power amp and reverb circuitry is based on the classic '65 Princeton Reverb, and, with 20 watts and a 10" Jensen speaker, it provides spanking vintage tone and enough output for small gigs and rehearsals. The trans-impedance power attenuator lets you crank up the amp for full output tube overdrive and set the speaker volume as low as you want (even silent for headphone use)!